I’ve been working on a webseries with Errol over the last few months. Actually, it was the entire reason I started up this blog. I wanted a space to talk about my writing process and maybe the occasional post about amusing things.

I may have gotten a wee bit distracted.

by...other posts....

by…other posts….

But now, after many months, the webseries is almost done it’s second draft (it’s hard to write with a full time job…oy…). It didn’t actually start as a webseries actually. It started as a small sketch in my head involving two sidekicks who meet up and bitch about their jobs for the superheros. It was simple, neat and a good palette cleanser after the very intense process of NaNoMusical….I still can’t believe we did it…

But then…the script began to disobey me.

I’ve heard other writers talk about how their characters “disobey” them and do things that the writers don’t expect them to do. And to be honest…this was always the face I made when I read about it…

Yeah. Yeah, that's about right.

Yeah. Yeah, that’s about right.

Then I started to write this webseries and suddenly I can’t think of any other term to describe the process. To say that “I changed the script and got different ideas” would imply that I felt any sort of control over it. Which I don’t, at all.

It all started simply enough. The series would simply be an extended version of the original sketch idea I had. Two characters, one location, and mostly an excuse to poke fun at superhero tropes. Easy.

Easy as deciding to go out for wings....

Easy as deciding to go out for wings….

But then the waitress came in. I needed a waitress. I had them in a cafe after all. And of course she would need a line or two to offer the two main characters coffee. Except then she started speaking more. And more. And getting a character. And then I realized she was starting to become one of those “integral parts to the script” I had read so much about.

Fine. That didn’t go exactly as planned, but I still had the meat of the series to back me up. But then, for whatever reason, a story began to bubble to the surface. It made sense at first, I would need SOMETHING to link together the episodes, perhaps an over arcing plot the characters could follow in between jokes.

Only the plot and story began to take the forefront. The characters began to get their own arcs and motivations, some of which I had discussed with Errol, but some which kind of snuck in there without me knowing until the director pointed it out to me.

I was a little discouraged. This wasn’t exactly the direction I saw it going. It wasn’t as though I was TRYING to make it different either, it just…seemed to do it on its own. I continued to write though, certain that at some point it would simply circle back around to my very simple, very funny idea and the world would be at peace.



Then suddenly one day I looked at the script I had written and it dawned on me that what I was writing was not so much a story of sidekicks as it was a story of my most important friendships and the feelings of inadequecy that I’ve been facing in the real world for the past seven years. It also, amazingly enough, seemed to be a statement on the very nature of male/female relationships.

These guys do it a lot better.

These guys do it a lot better.

Whuh?….When had this happened? Where was my simple little script? I had not intended to write anything that “meant” anything, but somehow poof…there it was.

I fought the urge to scrap the whole thing. After all, it was not what I had wanted in the beginning. Clearly I would have to start over.


But thankfully my friends and creative partners were wise enough to step in and say “Uhhhhh, nope, this is what you have. Stick with it.”

It’s been an interesting lesson. The product I’ve ended up with is vastly different from my initial vision. It’s taken some mental jumping jacks to convince myself that this does not mean it’s a failure…it’s not necessarily better either…it’s just different.

Suddenly Neil Gaiman’s talk about his newest book “The Ocean at the End of the Lane” made a lot more sense to me, how something can evolve and run away from you without even realizing it. It’s like a disobedient dog. Your only real choice is to run after it rather than stomping your foot and waiting for it to come back to you.

Read this!

Read this!

Of course I’m talking about this script like it’s some sort of genius. I’m not even sure if it’s GOOD. But it is uniquely mine and Errol’s and that counts for something. I’m rewriting the last episode now. I am trying to tell it to behave and listen to me, but I get the feeling it doesn’t want to obey.


Posted on July 23, 2013, in Uncategorized, Writing and tagged , , , , . Bookmark the permalink. 9 Comments.

  1. The more I hear about this project the more I am looking forward to it- can wait for it to be released, but not easily.

  2. I enjoyed this post a lot, because I have been through this, and still go through it when I write. I can pinpoint a few plots that ran away from me, one of which is my current favorite of anything I’ve written. And I still tell people that the secondary main character in one set of short stories was originally meant as a side character, and wormed his way to a much larger role. I guess that’s hard for some people to understand, eh?

    What I make that face about is when people talk about having conversations with their characters. I’m a very character-driven writer, and one of the reasons I have stuck with the same set of stories and the same characters for almost 10 years is because I’m just so in love with the characters. But I have never had what I can even exaggerate into a conversation with any of them. Maybe they just don’t like me as much as I like them.

    I’m also looking forward to this web series!

    • Yeah, the talking to character thing is another thing I haven’t done and is something I can’t comprehend, though it’s good that it works for others! What I HAVE done is try and talk through it myself as the character and I think that’s a lot of my acting training coming into play. Errol and I will often act out scenes and then I’ll jot down what worked

  3. I love sidekick stories

    Also I’m just going to put this link here, for reasons. http://youtu.be/K9NiltIUm-I

  4. Welcome to the club of those whose characters have run away with them (we’re looking for a better name). Here are your badge and name tag.

    My characters CONSTANTLY run away with me. I’ve had one character bark at me and another threaten to bite me if I didn’t write it in that he was a vampire. Names randomly appear in my head and when I write them down my characters magically appear. (Laurell K. Hamilton’s Jean Claude from Anita Blake Vampire Hunter series told her his name and that he was French).

    While writing my current novel I’ve found myself more than once adding more romance than I meant to and it as worked out really well. I’m happy with the story and I’m on track for plot management.

    Life is more fun when you let your characters help guide you! 😀 Just… Don’t let them drive the bus when you take a road trip. *shakes head*

  5. I actually take that as a good sign – that you’ve poured enough energy into it that it takes on a life of it’s own. I think of writing/songwriting as an exploration and what fun would it be if it didn’t lead you to unexpected places? You end up learning a lot about yourself. 🙂

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