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An Escape Enthusiast Abroad- RECON Boston Day 3
I’m sitting in the hotel lobby writing this up. All around me tired but happy enthusiasts are bidding each other goodbye as they head to a flight or an escape or to take in what Boston has to offer. It has been a whirlwind trip, and it’s definitely a bittersweet ending as I’m definitely wanting more but also craving holing away with some garbage TV for a while.
Read the rest of this entryAn Escape Enthusiast Abroad: RECON Boston Day 1
I’m BAAAAAAAACK! And travelling no less! To Boston! For RECON (Reality Escape Convention)! For the past two years, RECON has had to be a virtual event due to that big event we all have ingrained in our brains by now. This year though they were finally able to have it in person, and so far I am so glad I was able to come!
I was a bit nervous to travel again, more because of getting to places on time than COVID nerves. Luckily it was a series of fortunate events and the flight and customs were pretty smooth. But enough about that, time to get to the fun stuff!
Read the rest of this entryEscape Room Narrative: Dialogue Considerations
Back when I was acting more often, I was in a Fringe play in Toronto. I was 25, and soaked up every project my hungry acting soul could consume. This one was particularly exciting. Like most Fringe shows, it was an original script, something I had never encountered outside of terrible university shows. It was also my first time doing something semi-professionally, and the anxiety of making a fool of myself in front of swarming throngs of judgey theatre critics was strong.

There was one line in particular I simply could not seem to deliver properly. For weeks, I had been struggling with it. The director/writer was extremely patient with me, giving me some direction, even trying to do a line reading. But no, every time the words came out of my mouth, they sounded like an elementary school kid trying to be an adult…or maybe it was the other way around.
Read the rest of this entryEscape Room Narrative: What Spiderverse Can Teach Us About Intro Videos
So two weeks ago I finally saw Spider-Man: Into the Spiderverse. Yes, I know. I’m more than slightly late to the game here. Part of it was intimidation of my Marvel fan friends (they can be intense). Part of it was my fatigue with Marvel and Spider-Man movies in general. A very small and petulant part of me simply didn’t want to get on the hype train. Whatever the reason, the important thing is that I saw it!
And I. Am. OBSESSED.

Yes, the hype was real. Despite knowing only the very basics of Spider-Man, I was still in love with this movie. And there is a lot to love. The ground-breaking animation, the engaging characters, the humour, the heart, everything was almost pitch perfect in execution.
But there was one scene in particular that caught my eye. And I’m not talking about the “What’s Up Danger” sequence…although that is an incredible sequence, and it definitely took my breath away and I may or may not have that song on my jogging playlist now so that I too can feel like a Spider-Person while I huff and wheeze my way down the street.

No, the scene I am talking about comes almost exactly one hour into the movie. It lasts approximately thirty-five seconds. And it is an excellent example of what we could be doing with our escape room intro videos.
I am talking about the Kingpin backstory reveal. Spoilers ahead for…well…a very tropey backstory, I guess…
Read the rest of this entryEscape Room Narrative: My Favourite Character-Driven Escapes (That I have Played…Mostly)
Recently, I had the opportunity to speak at RECON Global about characters. In it, I did a high level 101 talk about how characters can be presented in escape rooms. At the end of the presentation I made a vague reference to the interesting things I have seen some escape rooms do with their characters. And because I didn’t have an additional two hours to ramble, I left it at that.
So, I decided I would use my very unlimited word limit here to talk about them in more detail! Enjoy the spoiler free list of the escape rooms that are pushing the boundaries of characters!
Read the rest of this entryEscape Room Narrative: The Remote Avatar
It’s been three months since my city locked down. I’ve had to adapt to working from my dining room chair and lining up with anxious citizens outside a grocery store.
Likewise, Escape Rooms have had to pivot to try to survive the next few months. How successful they are is still up for debate, but it has resulted in some interesting new trends that are becoming the new norm.
Now is a time of uncertainty. But it is also a time of opportunity. Innovation is often born out of limitations. There are creative mines to be delved here. I wanted to dedicate my next few entries to some of these trends and narrative possibilities: what’s working, what’s not working, and what we could be doing with the time we have now.
The first thing to talk about is one of the first things escape rooms decided to employ: the remote avatar.

Escape Room Narrative: Music
“Immersive” is definitely a buzz word that has been growing in popularity in the escape room industry over the last few years. Designers and companies strive to make their players feel immersed in a world. There are many discussions of elaborate sets, seamless technology, and environmental storytelling.
But there is one tool I have rarely seen discussed: music.

Music has shaped so much of our art and entertainment. Whether it is opera, film, or video games, I doubt there is anyone who can imagine these mediums completely devoid of music. It lets us know how to feel. It helps tell the story. It builds the world. It is one of my favourite parts of the entertainment I consume. And yet I rarely see it discussed in escape rooms.
Escape Room Narratives: Plot Twists
Spoiler alert: I will be talking about the ending of the Sixth Sense. It is twenty years old, but there might be a likely hood you have not seen it….but still, I am going to discuss it.
I remember being in the theatre when I first saw The Sixth Sense, long before it became one of the most quoted movies of all time. Come on, we all know the scene. Little Haley Joel Osmand clings his blanket closer to him, looks fearfully at Bruce Willis, and utters the phrase “I see dead people….”

Insert meme here.
An Escape Enthusiast Abroad: NOLA, Baton Rouge & Houston Final Thoughts
I have been home a full day now, slept many hours, and had a chance to let the whole trip process in my head. It is 14 degrees Celsius here so I am forced to wear long pants again. It’s sad. So…time for some final thoughts.
First things first: The trip was fantastic. Escape rooms aside, I loved seeing the city of New Orleans. It has an insanely rich history. Even if you are not a party person, there is a lot of stuff to see there (and eat!). I would 100% go there again…after all, there are more Gabriel Knight locations to find!
Escape Room Narrative: Losing
Last summer I played a large scale escape room. There were sixty players in total. Due to a series of unfortunate events (ie we are sucky searchers), we ended up losing the game. After the time ran out, all players were ushered into a large area together where we all experienced the end.
Those who had won knew what was going on. The rest of us were quite lost. We were dragged through the final sequence with little to no idea what the outcome was. Nothing really made sense.

It was like walking into this situation
A few months later it happened again in another large scale event. In this particular case I had actually won. However a few of my friends did not make it out in time and were left waiting for ten minutes while the winners finished up their games. It bothered me. A lot.
When we brought it up with one of the organizers afterward, they nodded in agreement but said the designers disagreed. Not everyone can win, and so not everyone can be happy with their experience. They cannot please everyone, so let the losers deal with it.
…
I want to talk about losing. Read the rest of this entry